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Tuesday, October 16, 2007

Phil Hansen Strokes of Genius

Phil Hansen is not only tearing down the “gallery” walls that keep many people from seeing and enjoying art. He’s also showing us how it’s made -- all on the Internet.

People of the Web Weird Art to see his Featured Video showing how he works and explains his art!

Phil Hansen stubbornly adheres to one artistic cliche. He's willing to suffer for his art.

Asked to provide a photo for Yahoo! News, Phil Hansen couldn't resist creating a composite image.

Take the giant portrait he made of North Korean leader Kim Jong Il as a protest against nuclear proliferation. He applied 6,000 adhesive bandages on a plywood backdrop. Then, using a quart-sized bag of his own blood, he painted Kim's face on the exposed gauze. His sister-in-law, a doctor, helped him draw the 500ml he needed.

Hansen shrugs off the experience.

"Five hundred cc's of blood seems like a lot, but it's just nothing," he says from the basement of his brother's house outside St. Paul, Minnesota, where he currently lives and makes his art. "I don't even have scars on my arms anymore from it."

It's not the suffering that really distinguishes Hansen's work (after all, it's hard to top Van Gogh) but his style and method for displaying it. Hansen eschews galleries, preferring to take his art directly to the eyeballs rather than bringing the eyeballs to the art — through the Internet.

An art school dropout, Hansen works as an X-ray technician by day, spending all of his spare time and money on his art. But his work, and his method of presenting it, has given him a huge audience.

His breakthrough piece was a time-lapse video of a two-day project called "Influences." He painted 30 pictures on his own chest, one over the other, with each picture representing an influence in his life. When he was done, he peeled the quarter-inch thick layer of paint from his skin and cut out a silhouette of his own profile. The video was streamed more than a million times on the Web — a cyber art phenomenon in which both process and final piece were revealed.

Hansen often uses the technique of pointillism, in which the canvas is dabbed with tiny bits of color, rather than fluid brush strokes, to create a larger image.

But he gives pointillism a modern twist. You might call it "kinetic fragmentism" — pointillism in motion.

For instance, Hansen completed an on-camera piece of paint-dipped karate chops to reveal a portrait of martial arts legend Bruce Lee.

Hansen's Ku Klux Klan piece aims to provoke questions about religion.

His works often have a political stance. Several years ago, Hansen devised an image of President George W. Bush by hand-painting the names of 1,700 coalition soldiers killed from the beginning of the Iraq War until April 2005.

"They're dying for George Bush," he explains. "They're dying for an idea that he had and unfortunately it wasn't a clear idea."

Covering the entire back wall of his brother's basement is a 7 x 14 foot mural of the Ku Klux Klan, made up from thousands of verses copied from the bible and individually cut out. It's a companion piece to an image of civil rights hero Rosa Parks — also made from bible verses.

Hansen says the idea was to show the far-reaching influences of religion for both evil and good.

Hansen's commitment to his own brand of pointillism is most evident in a portrait of the so-called Green River killer, Gary Ridgeway.

He made the piece by drawing one-inch portraits of each of Ridgeway's 48 female victims in various shades of light and dark. He then photocopied the drawings and cut them out into 12,000 tiny squares which he arranged, one by one, to reveal the killer's face.

Hansen says it's about remembering the victims — women all connected by the misfortune of having crossed paths with Ridgeway. The project took four months.

The detail work has taken its toll. Hansen holds up his right hand to show me a twitch he says he's had since high school, when he was first introduced to pointillism and became obsessed with it.

Hansen created his self-portrait 'A Moment' over the course of six days, oven sitting cross-legged for up to 12 hours straight.

His latest project used the Internet to connect his viewers to the art being created. He created a ten-foot, spinning, circular canvas in his brother's garage, then moved in there himself. Taking a week off work, he spent six days straight living in front of his web cam, sleeping on the floor, eating takeout and encouraging people to call him or email him with a "moment" that changed their lives.

"I'm really interested in how all of our experiences build together to create whatever world we live in," he said before starting the project.

He got over 600 responses. People from all over the world, from the United Kingdom to Romania to Botswana, told him their personal moments: their first time acting on stage; the death of a parent without being about to say goodbye; seeing the rainforest destroyed.

Starting from the center of the canvas, Hansen then painted their words, working out to the edges until the image they had collectively created was a face — Hansen's own — bordered by four hands.

"There's always someone or something, maybe even ourselves, supporting us," Hansen tells me by phone, shortly after completing the piece. "But at the same time there is some experience... trying to push us down. And somehow, as we move through life, most people end up kind of staying in the center, in the middle through that experience."

Strangely, Hansen says the jitter in his hand that has plagued him for so many years went away while he was making the piece.

-See more of Hansen's work at his Web site.

-Producer: Robert Padavick By KEVIN SITES, FRI JUL 13, 11:51 AM PDT
-Video Editor: Edo Brizio
Average 1815 votes 4.7 stars

Permalink http://potw.news.yahoo.com/s/potw/23115/strokes-of-genius

Do you run a Web site you think we should feature? Do you know of a great story about the Web you think we should follow up on? Let us know.

Comments and Feedback: The Modern day de vinci!!!!! his work is amazing. that's incrediable. Keep up the good work and don't give up. I enjoyed seeing your work. from lonely mom in texas. Phil - No more middle for you! I don't know who or what has 'tried' to push you down during your life, but you're done with that. You are phenominal and it's time for you to soar! Your talent, imagination, technique, and dedication are remarkable. I'm sure someone established in the art community will get behind you. This was my first introduction to you and your work on the internet. You can be sure I'll be looking for you in the future - I wish you the best! presedent Bush should let the trups come home.. I would love to see some Salvador Dali,art by this guy,great stuff man,!! Dude,take your next tax return and head for Fance,or Euorope,where they appeciate great masters!!How a bout a Picaso of candy wrappers?LOVED your oringinallity! Give this guy his own damn studio, he is amazing.

Hey Joseph,maybe this guy could do a rendition of Jesus,made completly out of used popcorn buckets for Momentum!! This guy is good!!LOL.The Ridgeway thing was disturbing for me!
Mr,Hanson, I hope everyone checks out your web site,the Moment,and the 1400 celcius art on the two by fo urs is incredible
he's no davinci but he is extremely, extremely talented and creative, he is probably c@#$% to a Michaelangelo in the sense he is specialized into creating his own art, transcending the average imagination, good job man!! 1 - 10 of 2753 First Previous Next Last

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Saturday, August 04, 2007

Revealed van Gogh under another painting

Hidden van Gogh found at MFA - Mystery painting is under another work by artist.

By Geoff Edgers, Globe Staff Aug 4, 2007

For years, art scholars pondered a mystery: Did Vincent van Gogh create a painting that matches a sketch in Amsterdam's Van Gogh Museum?

Now a conservator at the Museum of Fine Arts has discovered the lost painting, but museumgoers will never be able to see it: The painting lies underneath another van Gogh long on display at the MFA, the museum announced yesterday.

The Dutch master created the lost painting, "Wild Vegetation," in 1889, during his stay at an asylum near Saint-Remy, France. The hidden work was found by chance when conservator Meta Chavannes X-rayed the MFA's painting, "The Ravine," about a year ago as part of a research project.

Chavannes found evidence of an image that didn't match "The Ravine," a moody landscape with swirling brush strokes of blue, gray, and green. A few weeks later, Chavannes shared the X-ray with Louis van Tilborgh, a curator at the Van Gogh Museum. He immediately recognized the image as being similar to a drawing in the museum's collection.

Van Gogh had sent the drawing, a riotous depiction of flowers and wildlife, to his brother, Theo, an art dealer in Paris. Re searchers have suggested that the drawing is one of several copies of paintings the artist sent to his brother in 1889, according to the MFA. But until now, curators were unable to determine whether a painting matching this particular drawing existed. Chavannes said she is still shocked at how quickly van Tilborgh found the drawing in his museum's collection.

"It was very absurd and surreal for him to pull out a composition so quickly," Chavannes said yesterday. The conservator says it is possible to see features of the earlier painting, including flowers, in sections of "The Ravine."

As famous for his use of dramatic brush strokes and bright colors as for his battles with mental illness, van Gogh created works that are today among the most famous and expensive of the post-Impressionist movement. The artist, who shot and killed himself at age 37 in 1890, struggled for public recognition during his lifetime. But in recent years, his paintings have sold for as much as $80 million at auction. "The Ravine," while prized by the MFA, is not one of the artist's most famous works. And until now, questions about the drawing in the Van Gogh Museum collection had attracted little attention outside the art world.

Throughout history, it has not been uncommon for artists to paint over old works, sometimes to save money, at other times because they were unsatisfied with an earlier creation. The French Impressionist Edgar Degas, for example, painted over some works more than 20 years after they were created. Typically, artists add a fresh layer of white paint to hide the older composition before creating a new one.

In his early years, van Gogh often reused canvases or turned them over and painted on the other side to make the most of his limited funds. But by 1889, a year before his death, he was being supported by his brother. Van Gogh painted over "Wild Vegetation" not because he couldn't afford to buy another canvas but because Theo was slow to send along new canvases, according to MFA curator George Shackelford.

"He was so eager to paint that he wasn't willing to wait," said Shackelford. "We deduce he decided to sacrifice a picture, maybe of the ones that he had that he liked the least, and he painted straight over the very highly patterned design of the first canvas without introducing a layer of white. It's fantastically amazing."

Chavannes was originally asked to research "The Ravine" by curators at the Phillips Collection and Cleveland Museum of Art, who were organizing a van Gogh exhibit. She found a 75-year-old X-ray in the painting's file, which piqued her interest. After taking a fresh X-ray, Chavannes saw the underlying pattern. At first, she tried to track down its source on her own.

"It became a bit of an obsession," said Chavannes. "I really wanted to see what it was showing."

She presented it to Shackelford, who couldn't identify the work. By chance, Chavannes, who is Dutch, was heading home to Amsterdam to visit family. She made an appointment with van Tilborgh.

A report on their discovery is being published this week in The Burlington Magazine, a London-based art journal. The Van Gogh museum will display the drawing in an exhibition that opens next week and runs through October.

As for "The Ravine," it remains on view in the Impressionist galleries at the MFA. The museum will hold a gallery talk on the discovery Sept. 5 and Nov. 8. It also hopes to produce a wall label explaining the discovery that will be placed next to the painting.

Geoff Edgers can be reached at gedgers@globe.com. For more on the arts, visit boston.com/ae/ theater_arts/exhibitionist.

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